Carl Nielsen had an exceptional understanding of the nuances of woodwind instruments, and when playing the parts he wrote for flautists, the affection is almost palpable. Towards the end of his composing career, he thought of different orchestral instruments as having distinct personalities, and composed their interactions accordingly. While Nielsen may have once said that “the composer has had to follow the mild character of the instrument” (source: The Carl Nielsen Society), and while there were certainly periods in his Flute Concerto in which the flute floats tranquillo above the rabble, there are also moments of impatient spikiness, and the liquid, sinuous cadenzas – as played by LSO principal Gareth Davies – contained bursts of fire… [read more here]

Programme

Bartók: The Miraculous Mandarin (Suite)
Nielsen: Flute Concerto
Zemlinsky: Die Seejungfrau (The Mermaid)

Performers

London Symphony Orchestra, Xian Zhang (conductor), Gareth Davies (flute)

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